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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    290 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21,144 matching records exist across the two collections.

Results for "Fragment of a Frieze with a Geometrical"12 records

Institutions answered newest-first by record, interleaved

Fragment from a Frieze with a Meander Pattern and Rosettes by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a Frieze with a Meander Pattern and Rosettes

Unrecorded maker

6th century · Limestone; carved

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze with a Geometrical Pattern by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze with a Geometrical Pattern

Unrecorded maker

5th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze with Medallions by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze with Medallions

Unrecorded maker

6th–8th century · Limestone; carved

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

10th century · Plaster; carved and painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

10th century · Plaster; carved and painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Terracotta; carved, painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Terracotta; carved, painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Terracotta; carved, painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Terracotta; carved, painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Earthenware; carved and painted

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze with Addorsed Birds by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze with Addorsed Birds

Unrecorded maker

12th century · Gypsum plaster; molded, traces of painting

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze with Addorsed Lions by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze with Addorsed Lions

Unrecorded maker

12th century · Gypsum plaster; molded, traces of painting

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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