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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    611 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "Fragment of a Mold for Making Ceramics w"12 records

Institutions answered newest-first by record, interleaved

Textile Fragment by Chavín artist(s), The Metropolitan Museum of Art

Textile Fragment

Chavín artist(s)

4th–3rd century BCE · Cotton, refined iron earth pigments

Cleared · Public Domain

live
The MetSimilar
Fragment with Stamped Leaves and Rosettes by an unrecorded maker, The Metropolitan Museum of Art

Fragment with Stamped Leaves and Rosettes

Unrecorded maker

7th–9th century · Earthenware; molded and stamped

Cleared · Public Domain

live
The MetSimilar
Mold for Making Ceramics by an unrecorded maker, The Metropolitan Museum of Art

Mold for Making Ceramics

Unrecorded maker

late 9th–early 10th century · Clay; molded

Cleared · Public Domain

live
The MetSimilar
Fragment of a Lotus-Shaped Bowl with Luster and Green-Mottled Decoration by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Lotus-Shaped Bowl with Luster and Green-Mottled Decoration

Unrecorded maker

10th century · Earthenware; polychrome luster-painted on opaque white glaze

Cleared · Public Domain

live
The MetSimilar
Fragment of a Mold for Making Ceramics by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Mold for Making Ceramics

Unrecorded maker

11th century · Earthenware; unglazed

Cleared · Public Domain

live
The MetSimilar
Fragment of an Ewer by an unrecorded maker, The Metropolitan Museum of Art

Fragment of an Ewer

Unrecorded maker

11th–12th century · Stonepaste; gritty, grayish white body, mold-made, under transparent glaze

Cleared · Public Domain

live
The MetSimilar
Hanging (?) Fragment by an unrecorded maker, The Metropolitan Museum of Art

Hanging (?) Fragment

Unrecorded maker

late 16th–17th century · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
"Gypsy" pitcher by E. & W. Bennett Pottery, The Metropolitan Museum of Art

"Gypsy" pitcher

E. & W. Bennett Pottery (d. 1857)

1847–57 · Slip-cast; yellow earthenware

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a Mold for Making Ceramic Bowls

Unrecorded maker

11th century · Earthenware; reddish buff body

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a Mold for Making Ceramics with Harpies

Unrecorded maker

11th century · Earthenware; reddish buff body

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hound-handled pitcher

E. & W. Bennett Pottery (d. 1857)

1847–57 · Yellow earthenware; toffee colored streaky glaze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Toby Philpot Shaving mug

E. & W. Bennett Pottery (d. 1857)

1847–57 · Yellow earthenware; toffee colored streaky glaze

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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