
Textile Fragment
Chavín artist(s)
4th–3rd century BCE · Cotton, refined iron earth pigments
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
611 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 68 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Textile Fragment
Chavín artist(s)
4th–3rd century BCE · Cotton, refined iron earth pigments
Cleared · Public Domain
live
Fragment with Stamped Leaves and Rosettes
Unrecorded maker
7th–9th century · Earthenware; molded and stamped
Cleared · Public Domain
live
Mold for Making Ceramics
Unrecorded maker
late 9th–early 10th century · Clay; molded
Cleared · Public Domain
live
Fragment of a Lotus-Shaped Bowl with Luster and Green-Mottled Decoration
Unrecorded maker
10th century · Earthenware; polychrome luster-painted on opaque white glaze
Cleared · Public Domain
liveFragment of a Mold for Making Ceramics
Unrecorded maker
11th century · Earthenware; unglazed
Cleared · Public Domain
live
Fragment of an Ewer
Unrecorded maker
11th–12th century · Stonepaste; gritty, grayish white body, mold-made, under transparent glaze
Cleared · Public Domain
live
Hanging (?) Fragment
Unrecorded maker
late 16th–17th century · Camelid hair, cotton
Cleared · Public Domain
live
"Gypsy" pitcher
E. & W. Bennett Pottery (d. 1857)
1847–57 · Slip-cast; yellow earthenware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragment of a Mold for Making Ceramic Bowls
Unrecorded maker
11th century · Earthenware; reddish buff body
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragment of a Mold for Making Ceramics with Harpies
Unrecorded maker
11th century · Earthenware; reddish buff body
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hound-handled pitcher
E. & W. Bennett Pottery (d. 1857)
1847–57 · Yellow earthenware; toffee colored streaky glaze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Toby Philpot Shaving mug
E. & W. Bennett Pottery (d. 1857)
1847–57 · Yellow earthenware; toffee colored streaky glaze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.