Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    886 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24,143 matching records exist across the two collections.

Results for "Fragment of a Molding"12 records

Institutions answered newest-first by record, interleaved

Glass border molding fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass border molding fragment

Unrecorded maker

late 1st century BCE–early 1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Fragment of a Mold for Arretine Bowl by M. Perennius, The Cleveland Museum of Art

Fragment of a Mold for Arretine Bowl

M. Perennius

27 BCE–14 CE · Ceramic, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze molding fragment by an unrecorded maker, The Metropolitan Museum of Art

Bronze molding fragment

Unrecorded maker

1st–2nd century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Fragment of a Mold for Arretine Bowl by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Mold for Arretine Bowl

Unrecorded maker

27 BCE–14 CE · Ceramic, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of Molding with a Pattern of Leaves by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Molding with a Pattern of Leaves

Unrecorded maker

6th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Face Fragment by an unrecorded maker, The Cleveland Museum of Art

Face Fragment

Unrecorded maker

600–1000 · Sculpture, molded pottery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of Molding by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Molding

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of a Reclining Male Figure by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Reclining Male Figure

Unrecorded maker

450–350 BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of Molding by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Molding

Unrecorded maker

6th–7th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Figurine Head Fragment by an unrecorded maker, The Cleveland Museum of Art

Figurine Head Fragment

Unrecorded maker

150–350 CE · Ceramic, ceramic, pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of Molding by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Molding

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment by Benedetto Buglioni, The Cleveland Museum of Art

Fragment

Benedetto Buglioni (d. 1521)

c. 1900–1910 · Sculpture, glazed terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.