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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    229 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 34,967 matching records exist across the two collections.

Results for "Fragment of a Relief"12 records

Institutions answered newest-first by record, interleaved

Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco

Cleared · Public Domain

live
The MetSimilar
Relief of Striding Warriors by an unrecorded maker, The Cleveland Museum of Art

Relief of Striding Warriors

Unrecorded maker

300–200 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

8th century · Stucco wit color

Cleared · Public Domain

live
The MetSimilar
Stela Fragment by an unrecorded maker, The Cleveland Museum of Art

Stela Fragment

Unrecorded maker

600–950 · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Chunan

Cleared · Public Domain

live
The MetSimilar
Fragment from Red-Figure Cup: Woman by Telephos Painter, The Cleveland Museum of Art

Fragment from Red-Figure Cup: Woman

Telephos Painter

c. 470–460 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco with color

Cleared · Public Domain

live
The MetSimilar
Fragment of a Wall Decoration from the Palace of Xerxes: "Guardsman" in Procession by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Wall Decoration from the Palace of Xerxes: "Guardsman" in Procession

Unrecorded maker

486–465 BCE · Sculpture, gray limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

15th–17th century · Clay

Cleared · Public Domain

live
The MetSimilar
Stela Fragment by an unrecorded maker, The Cleveland Museum of Art

Stela Fragment

Unrecorded maker

600–950 · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stela Fragment by an unrecorded maker, The Cleveland Museum of Art

Stela Fragment

Unrecorded maker

600–950 · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Mold for Arretine Bowl by M. Perennius, The Cleveland Museum of Art

Fragment of a Mold for Arretine Bowl

M. Perennius

27 BCE–14 CE · Ceramic, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.