Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    330 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 32,605 matching records exist across the two collections.

Results for "Fragment of a statuette of a woman"12 records

Institutions answered newest-first by record, interleaved

Statuette of a Nude Woman by an unrecorded maker, The Metropolitan Museum of Art

Statuette of a Nude Woman

Unrecorded maker

ca. 2030–1650 BC · Wood, paint, paste

Cleared · Public Domain

live
The MetSimilar
Dancer by an unrecorded maker, The Cleveland Museum of Art

Dancer

Unrecorded maker

c. 50 BCE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Bronze statuette of a woman

Unrecorded maker

ca. 1050–900 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Bronze statuette of a woman

Unrecorded maker

mid-6th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a woman holding a bird by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a woman holding a bird

Unrecorded maker

mid-6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a woman

Unrecorded maker

mid-5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Fragment of a statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a statuette of a woman

Unrecorded maker

5th–4th centuries BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Fragment of a statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a statuette of a woman

Unrecorded maker

4th–3rd centuries BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a woman

Unrecorded maker

3rd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a woman

Unrecorded maker

2nd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Bone statuette of a draped woman by an unrecorded maker, The Metropolitan Museum of Art

Bone statuette of a draped woman

Unrecorded maker

2nd–3rd century CE · Bone

Cleared · Public Domain

live
The MetSimilar
Statuette of a Woman by an unrecorded maker, The Metropolitan Museum of Art

Statuette of a Woman

Unrecorded maker

5th–6th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.