
Element of an Icon Frame
Unrecorded maker
11th century · Cloisonné enamel, gold, copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
288 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,333 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Element of an Icon Frame
Unrecorded maker
11th century · Cloisonné enamel, gold, copper
Cleared · Public Domain
live
Element of an Icon Frame
Unrecorded maker
11th century · Cloisonné enamel, gold, copper
Cleared · Public Domain
live
Element of an Icon Frame
Unrecorded maker
11th century · Cloisonné enamel, gold, copper
Cleared · Public Domain
live
Window Frame Fragment
Unrecorded maker
8th–13th century · Plaster; molded
Cleared · Public Domain
live
Engaged cassetta frame on a polyptych panel
Siena
ca. 1380 · Poplar. Mitered. Gilt; brown-orange bole.
Cleared · Public Domain
live
Tabernacle frame
Unrecorded maker
ca. 1406 · Spruce. Gilt; orange bole.
Cleared · Public Domain
live
Head of an Angel in Full Face
Taddeo di Bartolo (d. 1422)
ca. 1415–18 · Tempera on wood (paint around head scraped away and vacant area gessoed)
Cleared · Public Domain
live
Head of an Angel in Left Profile
Taddeo di Bartolo (d. 1422)
ca. 1415–18 · Tempera on wood (paint around head scraped away and vacant area gessoed)
Cleared · Public Domain
live
Fragment of an altarpiece frame
Unrecorded maker
ca. 1450 · Poplar
Cleared · Public Domain
live
Design for a Frescoed Altarpiece of The Resurrection
Maso da San Friano (Tommaso Manzuoli) (d. 1571)
ca. 1560–71 · Pen and dark brown ink, brush and gray-brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper
Cleared · Public Domain
live
Design for Left Side of an Altarpiece Frame
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Frame of an Altarpiece for the Tomicki Chapel in Wawel Cathedral, Kraków (Poland)
Georg Pencz (d. 1550)
ca. 1530 · Pen with black and brown ink, brown wash, over black chalk and stylus
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.