Inscribed block with bowman and dog
Unrecorded maker
ca. 2051–2000 B.C. · Limestone, paint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
381 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
626 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 357 matching records exist across the two collections.
Results for "Fragment with a Dog, Hare, and a Bunch o"11 records
Institutions answered newest-first by record, interleaved
Terracotta fragment of a mastoid (drinking cup with narrow base)
Unrecorded maker
late 6th/early 5th century BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Seated dog
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
Fragment with a Dog, Hare, and a Bunch of Grapes
Unrecorded maker
5th–6th century · Wool, linen; plain weave, tapestry weave
Cleared · Public Domain
liveThe MetSimilar
Apothecary Jar with Running Hares and a Dog
Unrecorded maker
12th century · Stonepaste; luster-painted on opaque white glaze
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers)
Unrecorded maker
12th century · Lime plaster; painted
Cleared · Public Domain
liveThe MetSimilar
A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right
Marco Dente (d. 1527)
ca. 1515–27 · Engraving
Cleared · Public Domain
liveThe MetSimilar
A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right
Marco Dente (d. 1527)
ca. 1515–27 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Landscape with a shepherd and a dog
Rembrandt (Rembrandt van Rijn) (d. 1669)
ca. 1653 · Etching and drypoint; second of two states
Cleared · Public Domain
liveThe MetSimilar
Hunting Dogs with Dead Hare
Gustave Courbet (d. 1877)
1857 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cutout fragment of journal page with advertisements for jewelers and watch sellers, one with 15 designs for fine seal and cameo rings
George O. Street (d. 1899)
ca. 1869–99
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.