Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    687 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 78 matching records exist across the two collections.

Results for "Fragment with seated prince holding falc"11 records

Institutions answered newest-first by record, interleaved

Relief with the prince Senwosretankh by an unrecorded maker, The Metropolitan Museum of Art

Relief with the prince Senwosretankh

Unrecorded maker

ca. 1981–1952 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

490–470 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

490–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a mastoid (drinking cup with narrow base) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a mastoid (drinking cup with narrow base)

Unrecorded maker

late 6th/early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a mastoid (drinking cup with narrow base) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a mastoid (drinking cup with narrow base)

Unrecorded maker

late 6th/early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a volute-krater (bowl for mixing wine and water) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a volute-krater (bowl for mixing wine and water)

Unrecorded maker

second quarter of the sixth century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of an oinochoe (jug) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of an oinochoe (jug)

Unrecorded maker

late 6th/early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Fragment of a marble neo-Attic relief with Peitho by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a marble neo-Attic relief with Peitho

Unrecorded maker

1st century BCE · Marble, Pentelic

Cleared · Public Domain

live
The MetSimilar
Fragment of a Sarcophagus with a Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Sarcophagus with a Seated Figure

Unrecorded maker

ca. 250 · Marble

Cleared · Public Domain

live
The MetSimilar
Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso) by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso)

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over leadpoint (?) on light tan laid paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a frieze with seated figure at left, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.