
Relief with the prince Senwosretankh
Unrecorded maker
ca. 1981–1952 B.C. · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
687 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 78 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief with the prince Senwosretankh
Unrecorded maker
ca. 1981–1952 B.C. · Limestone, paint
Cleared · Public Domain
live
Terracotta fragment of a kylix (drinking cup)
Unrecorded maker
490–470 BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a kylix (drinking cup)
Unrecorded maker
490–480 BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a mastoid (drinking cup with narrow base)
Unrecorded maker
late 6th/early 5th century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a mastoid (drinking cup with narrow base)
Unrecorded maker
late 6th/early 5th century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Unrecorded maker
second quarter of the sixth century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of an oinochoe (jug)
Unrecorded maker
late 6th/early 5th century BCE · Terracotta
Cleared · Public Domain
live
Fragment of a marble neo-Attic relief with Peitho
Unrecorded maker
1st century BCE · Marble, Pentelic
Cleared · Public Domain
live
Fragment of a Sarcophagus with a Seated Figure
Unrecorded maker
ca. 250 · Marble
Cleared · Public Domain
live
Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso)
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash, over leadpoint (?) on light tan laid paper (recto); black chalk (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragment of a frieze with seated figure at left, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Engraving
In copyright
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2. Read the arithmetic
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