
Cassone (one of a pair)
Unrecorded maker
ca. 1550–60 · Walnut, carved and partially gilded
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
802 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 39 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cassone (one of a pair)
Unrecorded maker
ca. 1550–60 · Walnut, carved and partially gilded
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
XII Views in Aquatinta From Drawings Taken on the Spot in South Wales
Paul Sandby (d. 1809)
1775 · Etching and aquatint; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Calcutta
Thomas Daniell (d. 1840)
1786–88 · Hand-colored aquatints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4
Rudolph Ackermann, London (d. 1832)
July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6
Rudolph Ackermann, London (d. 1832)
July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Voyage to North America and the West Indies in 1817
Edouard de Montulé (d. 1833)
1821 · Illustrations: etching, engraving, and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atlas til Friherre Klinckowströms Bref om de Förente Staterne (Atlas to accompany Baron Klinckowström's Letters Written on a Journey to the United States, 1818–20)
Axel Klinckowström (d. 1837)
1824 · Etching, aquatint, engraving, lithograph, letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stanfield's Coast Scenery: A Series of Views in the British Channel, from "Original Drawings Taken Expresssly for the Work"
Clarkson Stanfield (d. 1867)
1836 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Visit to Denning's, Broadway, New York, Leaves from an artist's Sketch Book [trade catalogue]
E. J. Denning & Co. (d. 1892)
[ca. 1890] · Illustrations: color lithographs photomechanical prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[8 Portraits and Views: Walker Evans (3) and House (5)]
Unknown
1950s · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Framework House, 8 Views, Hauptstraße 3, Birken, Germany
Bernd and Hilla Becher (d. 2007)
1971 · Gelatin silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.