Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    494 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "François I Brandishing a Sword"8 records

Institutions answered newest-first by record, interleaved

"Bahman Taking Revenge on the Sistanians"  Folio from the Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru by Hafiz-i Abru, The Metropolitan Museum of Art

"Bahman Taking Revenge on the Sistanians" Folio from the Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru

Hafiz-i Abru (d. 1430)

ca. 1425 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
François I Brandishing a Sword by Alexandre-Evariste Fragonard, The Cleveland Museum of Art

François I Brandishing a Sword

Alexandre-Evariste Fragonard (d. 1850)

c. 1815–30 · Drawing, Pen and brown ink and brush and brown wash with graphite underdrawing and white and yellow gouache heightening on wove paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Four Horsemen, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Four Horsemen, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
David and Goliath by Francesco Fanelli, The Metropolitan Museum of Art

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Rinaldo in the Enchanted Forest by Jean Honoré Fragonard, The Metropolitan Museum of Art

Rinaldo in the Enchanted Forest

Jean Honoré Fragonard (d. 1806)

ca. 1763 · Brush and brown wash over very light black chalk underdrawing

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Qasim On a White Steed in Battle

Unrecorded maker

first half of 20th century · Paint on glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.