Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    456 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 207 matching records exist across the two collections.

Results for "Francesco I d'Este Protects the French i"12 records

Institutions answered newest-first by record, interleaved

After a Long Seige, Francesco I d'Este, with the Aid of the French Army, Takes Valencia, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

After a Long Seige, Francesco I d'Este, with the Aid of the French Army, Takes Valencia, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Dissolved the Seige of Reggio, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Dissolved the Seige of Reggio, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Goes to Pinarola for the Security of his States, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Goes to Pinarola for the Security of his States, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Instructing for Alms to be Given to the Poor, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Instructing for Alms to be Given to the Poor, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Invites Foreign Scholars to Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Invites Foreign Scholars to Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este is Generous in Pardoning the Offenders, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este is Generous in Pardoning the Offenders, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Orders Fête Decorations, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Orders Fête Decorations, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Protects the French in Casalmaggiore from the Seige of the Spanish, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Protects the French in Casalmaggiore from the Seige of the Spanish, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Receiving the Affection of the People, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Receiving the Affection of the People, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Secures the Fort and the Land to Protect from the German Troops, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Secures the Fort and the Land to Protect from the German Troops, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Sentencing the Guilty with Great Difficulty, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Sentencing the Guilty with Great Difficulty, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.