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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1379 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 253 matching records exist across the two collections.

Results for "Francis Davis Millet"12 records

Institutions answered newest-first by record, interleaved

Saint Francis in Ecstasy by Giovanni Benedetto Castiglione (Il Grechetto), The Metropolitan Museum of Art

Saint Francis in Ecstasy

Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)

ca. 1650 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia by John Targee, The Metropolitan Museum of Art

Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia

John Targee (d. 1850)

ca. 1815–17 · Steel, gold, silver

Cleared · Public Domain

live
The MetSimilar
Jeff Davis on His Own Platform, or the Last "Act of Secession" by Currier & Ives, The Metropolitan Museum of Art

Jeff Davis on His Own Platform, or the Last "Act of Secession"

Currier & Ives (d. 1907)

1861–62 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Francis Davis Millet by Augustus Saint-Gaudens, The Metropolitan Museum of Art

Francis Davis Millet

Augustus Saint-Gaudens (d. 1907)

1879 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House of the Smith

Sir Francis Seymour Haden (d. 1910)

1864 · Etching (counterproof); trial proof (a) (Harrington); first state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House of the Smith

Sir Francis Seymour Haden (d. 1910)

1864 · Etching (counterproof); trial proof a (Harrington); first state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House of the Smith (Maison du Forgeron, Benjamin Davis (Pays de Galles))

Sir Francis Seymour Haden (d. 1910)

1864 · Etching; first state of two (Harrington); second state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Faucheur (The Reaper)

John Singer Sargent (d. 1925)

ca. 1875 · Graphite on off-white laid paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Tondeuse de Moutons (Woman Shearing Sheep)

John Singer Sargent (d. 1925)

ca. 1875 · Graphite on off-white laid paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Botteleur (Gathering Grain)

John Singer Sargent (d. 1925)

ca. 1875 · Graphite on off-white plaid paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Noon (from Scrapbook)

John Singer Sargent (d. 1925)

ca. 1875 · Graphite on off-white laid paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Group of 71 Stereograph Views of African-Americans and Early Black American Culture, including Colloquial Black Humor]

Francis Hendricks

1850s–1910s · Albumen silver prints

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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