President Madero and his wife entering Mexico City
José Guadalupe Posada (d. 1913)
1911 · Zincograph
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
530 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Results for "Francisco Madero entering Mexico City,"12 records
Institutions answered newest-first by record, interleaved
A ballad of the Mexican Revolution
José Guadalupe Posada (d. 1913)
1913 · Zincograph and letterpress
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Francisco Madero entering Mexico City, from "Corridos de la revolución"
Leopoldo Méndez (d. 1969)
1934 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'Madero en la Decena Trágica', Francisco Madero on horseback raising his hand to the crowds entering Mexico City, cover for the review 'Tricolor'
Leopoldo Méndez (d. 1969)
1944 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory of the ten tragic days, 9-18 February 1913
Alfredo Zalce (d. 2003)
1945 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce (d. 2003)
1945 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 20: Francisco I Madero in prison drawing up his 'Plan of San Luis de Potosí', from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Isidoro Ocampo, Mexican (d. 1983)
1947 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 28: Francisco I Madero arriving on horseback in Mexico City, 7 June 1911, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Isidoro Ocampo, Mexican (d. 1983)
1947 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 37: Francisco (Pancho) Villa, guerrilla leader, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán (d. 2002)
1947 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Francisco Madero entering Mexico City, June 7, 1911 (La entrada de Francisco I, Madero en la ciudad de Mexico, 7 de junio de 1911), Plate 68 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Leopoldo Méndez (d. 1969)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Francisco I. Madero (1873–1913), Plate 70 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Isidoro Ocampo, Mexican (d. 1983)
1960 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Alvarez Amaya (d. 2010)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
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