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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    217 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Francisco Madero entering Mexico City, f"12 records

Institutions answered newest-first by record, interleaved

President Madero and his wife entering Mexico City by José Guadalupe Posada, The Metropolitan Museum of Art

President Madero and his wife entering Mexico City

José Guadalupe Posada (d. 1913)

1911 · Zincograph

Cleared · Public Domain

live
The MetSimilar
A ballad of the Mexican Revolution by José Guadalupe Posada, The Metropolitan Museum of Art

A ballad of the Mexican Revolution

José Guadalupe Posada (d. 1913)

1913 · Zincograph and letterpress

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Francisco Madero entering Mexico City, from "Corridos de la revolución"

Leopoldo Méndez (d. 1969)

1934 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

'Madero en la Decena Trágica', Francisco Madero on horseback raising his hand to the crowds entering Mexico City, cover for the review 'Tricolor'

Leopoldo Méndez (d. 1969)

1944 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the ten tragic days, 9-18 February 1913

Alfredo Zalce (d. 2003)

1945 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Alfredo Zalce (d. 2003)

1945 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 20: Francisco I Madero in prison drawing up his 'Plan of San Luis de Potosí', from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Isidoro Ocampo, Mexican (d. 1983)

1947 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 28: Francisco I Madero arriving on horseback in Mexico City, 7 June 1911, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Isidoro Ocampo, Mexican (d. 1983)

1947 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 37: Francisco (Pancho) Villa, guerrilla leader, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Alberto Beltrán (d. 2002)

1947 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portfolio of 10 lithographs: 'Arquitectura Funcional'

Francisco Dosamantes, Mexican (d. 1986)

1955 · Printed board covers, printed text, lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Francisco Madero entering Mexico City, June 7, 1911 (La entrada de Francisco I, Madero en la ciudad de Mexico, 7 de junio de 1911), Plate 68 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)

Leopoldo Méndez (d. 1969)

1960 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)

Jesús Alvarez Amaya (d. 2010)

1960 · Offset lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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