
Gold copy of a bracelet
Unrecorded maker
6th–5th century BCE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
527 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,001 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Gold copy of a bracelet
Unrecorded maker
6th–5th century BCE · Gold
Cleared · Public Domain
live
Gold copy of a bracelet
Unrecorded maker
6th–5th century BCE · Gold
Cleared · Public Domain
live
Studies of Saint John the Baptist
Copy after Rogier van der Weyden (d. 1464)
after 1455 · Metalpoint on gray prepared paper
Cleared · Public Domain
live
Copy of Martin Luther, Full Length
Lucas Cranach the Younger (d. 1586)
1586 · Woodcut
Cleared · Public Domain
live
Copy of the Center of a Design for a Brooch
Johann Theodor de Bry (d. 1623)
after 1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Freehand copy of a transcription of “The Song of Everlasting Sorrow” by Bai Juyi
Shōkadō Shōjō (d. 1639)
possibly 18th-century copy of a 1614 work · Handscroll; ink on paper
Cleared · Public Domain
live
The Windmill (reverse copy)
Rembrandt (Rembrandt van Rijn) (d. 1669)
n.d. · Etching; copy a
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy in Reverse of a Design for a Candlestick in the Antique Manner
Anonymous, Italian, 16th century (d. 1600)
ca. 1552–70 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of a fresco in the Villa Pansa, Pompeii
Émile-Jacques Gilbert (d. 1874)
1824 · Graphite, gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George Eliot
John Sloan (d. 1951)
1890 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venustiano Carranza holding a copy of the 1917 constitution
Alfredo Zalce (d. 2003)
1945 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Zhang Xu's Cursive Calligraphy of Four Ancient Poems
Xie Zhiliu (d. 1997)
Datable to 1969–70 · Album of ten leaves; ink on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.