
Emperor Vespasian Cured by Veronica's Veil
Unrecorded maker
ca. 1510 · Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
672 ms. The Metropolitan Museum of Art, Collection API (Open Access)
440 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Emperor Vespasian Cured by Veronica's Veil
Unrecorded maker
ca. 1510 · Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave.
Cleared · Public Domain
live
Parade Shield Depicting the Conversion of Saint Paul
Unrecorded maker
ca. 1570 · Steel, gold, silver
Cleared · Public Domain
live
Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal) (d. 1768)
ca. 1750–60 · Pen and brown ink, gray wash
Cleared · Public Domain
live
View of the Surroundings of Bruges (Vue des environs de Bruges)
Jacques Philippe Le Bas (d. 1783)
1780 · Etching and engraving
Cleared · Public Domain
live
Route de Pierrefitte à Luz St Sauveur
Joseph Vigier (d. 1862)
1853 · Salted paper print from paper negative
Cleared · Public Domain
live
Village de Montaubant pris de Luchon
Joseph Vigier (d. 1862)
1853 · Salted paper print from paper negative
Cleared · Public Domain
live
Jalais Hill, Pontoise
Camille Pissarro (d. 1903)
1867 · Oil on canvas
Cleared · Public Domain
live
Olive Trees at Tivoli
George Inness (d. 1894)
1873 · Gouache, watercolor, and graphite on blue wove paper with colored fibers
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French Landscape (Road Near Honfleur)
John Henry Twachtman (d. 1902)
1884–9 · Etching (posthumous Keppel impression)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Desert Bloom 14
Fazal Sheikh (d. 9999)
2011 · Inkjet print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Desert Bloom 9
Fazal Sheikh (d. 9999)
2011 · Inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.