
Frieze with Eleven Birds and an Insect
Jan Collaert I (d. 1581)
1590–1612 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
279 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Frieze with Eleven Birds and an Insect
Jan Collaert I (d. 1581)
1590–1612 · Engraving
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt
Giovanni Lanfranco (d. 1647)
1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines
Cleared · Public Domain
live
Diverses Pieces de Serruriers, page 11 (recto)
Jean Berain (d. 1711)
ca. 1663 · Engraving
Cleared · Public Domain
live
Diverses Pieces de Serruriers, page 9 (recto)
Jean Berain (d. 1711)
ca. 1663 · Engraving
Cleared · Public Domain
live
An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder
Torii Kiyomasu I (d. 1716)
ca. 1705 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
The Inside of a Mosque, the Dervishes Dancing (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 16)
William Hogarth (d. 1764)
1723–24 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: frieze with putti on a dolphin at left, a centaur stops a sea-horse at center, and a satyr at right holds a nereid in his arms
Odoardo Fialetti (d. 1638)
1590–1627 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battle between an lion and a centaur, with a female figure at right, from Ornements de panneaux à la romaine, plate 10, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a cartouche with a centaur at left and a sphinx at right, plate 6 from 'Recherche de plusieurs beaux morceaux d'ornemens pour seruir aux frontons des placarts plaphons et Lembris [Lambris et autres décors]', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
1661 · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at right with a centaur turning into rinceaux, from Frises et différents ornements à l'italienne, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at right with a centaur turning into rinceaux, from Frises et différents ornements à l'italienne, plate 5, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.