Patterned frieze
Unrecorded maker
ca. 8th century BCE · Ivory
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
195 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 646 matching records exist across the two collections.
Results for "Frieze at the bottom ornamented with a t"12 records
Institutions answered newest-first by record, interleaved
Les Singuliers et Nouveaux Portraicts... page 13 (recto)
Federico de Vinciolo (d. 1599)
1588 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
La Pratique de l'Aiguille, page 75 (recto)
Matthias Mignerak
1605 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lidded Urn with Two Handles and a Relief of the Capitoline Wolf raising Romulus and Remus, from "Series of Vases after the Antique"
Enea Vico (d. 1567)
1543 · Engraving [very early edition of the first state]
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at bottom with the bust of a man in a medallion at lower right, from Différents morceaux d'ornements à la romaine, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the bottom ornamented with a putti and a dolphin, from Différents morceaux d'ornements à la romaine, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the bottom ornamented with a trophy of arms with a putto playing a trumpet, from Différents morceaux d'ornements à la romaine, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the bottom ornamented with medallions at the bottom with the emblems of Apollo and with a globe with the arms of france at left, from Frises, plate 1, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the top ornamented with a bust of a woman in a medallion, from Différents morceaux d'ornements à la romaine, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the top ornamented with putti sitting on rinceaux, from Différents morceaux d'ornements à la romaine, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page with a frieze at top ornamented with a variant design for a medallion containing the figure of Hope, from Frises et différents ornements à l'italienne, plate 1, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page with two friezes ornamented with a landscape at upper right and putti and a sphinx amidst rinceaux at bottom, from Frises, feuillages et ornements à l'italienne, plate 1
Jean Le Pautre (d. 1682)
17th century · Etching; first state of three (Préaud)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.