
Glass medallion with the bust of a woman or goddess
Unrecorded maker
1st century CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3229 ms. The Metropolitan Museum of Art, Collection API (Open Access)
372 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,224 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass medallion with the bust of a woman or goddess
Unrecorded maker
1st century CE · Glass
Cleared · Public Domain
live
Cuff Band with Bust of a Female
Unrecorded maker
late 7th–9th century · Linen, wool; tapestry weave
Cleared · Public Domain
live
Frieze with Grotesques and a Horned and Bearded Figure Between Strapwork at Center
Theodor de Bry (d. 1598)
1589 · Engraving
Cleared · Public Domain
live
Frieze with Half-Length Female Figure Holding Two Horns at Center
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
live
Bust of a Roman
Unrecorded maker
possibly 16th century · Bronze, on a later wood socle
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the top ornamented with a bust of a woman in a medallion, from Différents morceaux d'ornements à la romaine, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the top ornamented with putti sitting on rinceaux, from Différents morceaux d'ornements à la romaine, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at top with a cartouche ornamented with a bow and quiver and laurel branches, from Différents morceaux d'ornements à la romaine, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second frieze from the top ornamented with a landscape ina cartouche, from Différents morceaux d'ornements à la romaine, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page with a frieze at top ornamented with a variant design for a medallion containing the figure of Hope, from Frises et différents ornements à l'italienne, plate 1, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Variant designs for cartouches with a medallion at top center ornamented with a bust of a man, from Nouveau livre de cartouches, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching and engraving; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Two Friezes, with Pattern of Alternating Ovals and Leaves in the Frieze at Top, and Paisley Motifs in the Frieze Below
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.