Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers
Unrecorded maker
4th–5th century · Limestone; carved in relief
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
224 ms. The Metropolitan Museum of Art, Collection API (Open Access)
261 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 246 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers
Unrecorded maker
4th–5th century · Limestone; carved in relief
Cleared · Public Domain
live
Fragment from a Frieze with Acanthus-Leaf Wheels
Unrecorded maker
6th century · Limestone; carved in relief
Cleared · Public Domain
liveFrieze with Acanthus Vines, Birds, Crosses, and a Human Face
Unrecorded maker
5th–6th century · Limestone; carved in relief
Cleared · Public Domain
live
Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century (d. 1600)
16th century · Pen and black ink with traces of metalpoint and red chalk
Cleared · Public Domain
live
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Drawing for a Frieze with Rinceau and Grotteschi
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and light brown wash, over black chalk underdrawing and ruled construction
Cleared · Public Domain
live
Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls
Gilles Paul Cauvet (d. 1788)
ca. 1760–80 · Pen and brown and gray ink, watercolor, heightened with white
Cleared · Public Domain
live
Design for a Frieze with Acanthus and Shell
Anonymous, British, 18th century (d. 1800)
18th century · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with acanthus scrolls and a dog
Giovanni Antonio da Brescia (d. 1525)
ca. 1490–1525 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with grotesque creatures and acanthus scrolls
Giovanni Antonio da Brescia (d. 1525)
ca. 1490–1525 · Engraving
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.