
Cult vessel in the form of a tower with cylinder seal impressions near the top
Unrecorded maker
ca. 19th century BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
271 ms. The Metropolitan Museum of Art, Collection API (Open Access)
405 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 88 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cult vessel in the form of a tower with cylinder seal impressions near the top
Unrecorded maker
ca. 19th century BCE · Ceramic
Cleared · Public Domain
live
Vessel terminating in the forepart of a stag
Unrecorded maker
ca. 14th–13th century BCE · Silver, gold inlay
Cleared · Public Domain
live
Top of standard with male figure and flanking ibexes attacked by dogs
Unrecorded maker
ca. 1500–1100 BCE · Bronze
Cleared · Public Domain
live
Medallion with a seated deity and a male worshiper
Unrecorded maker
ca. 8th–7th century BCE · Silver, gold foil
Cleared · Public Domain
live
Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
second quarter of the sixth century BCE · Terracotta
Cleared · Public Domain
live
Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures
Sebald Beham (d. 1550)
1500–1550 · Engraving
Cleared · Public Domain
live
Frieze with Grotesques and a Horned and Bearded Figure Between Strapwork at Center
Theodor de Bry (d. 1598)
1589 · Engraving
Cleared · Public Domain
live
Frieze with Half-Length Figure Holding Cornucopias
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
live
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette (d. 1642)
ca. 1617–25 · Etching
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
Copy of the Center of a Design for a Brooch
Johann Theodor de Bry (d. 1623)
after 1580–1600 · Engraving and blackwork
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frise du Temple de Pallas, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.