
Vessel terminating in the forepart of a stag
Unrecorded maker
ca. 14th–13th century BCE · Silver, gold inlay
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
786 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 57 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vessel terminating in the forepart of a stag
Unrecorded maker
ca. 14th–13th century BCE · Silver, gold inlay
Cleared · Public Domain
live
Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
second quarter of the sixth century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
second quarter of the sixth century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragments of a kylix: eye-cup (drinking cup)
Unrecorded maker
520–510 BCE · Terracotta
Cleared · Public Domain
live
Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures
Sebald Beham (d. 1550)
1500–1550 · Engraving
Cleared · Public Domain
live
Frieze with Half-Length Figure Holding Cornucopias
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
live
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette (d. 1642)
ca. 1617–25 · Etching
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
Study for the Bacchus frieze originally in the dining room of the palace of Duke Maximilian of Bavaria in Munich; verso: Study of a standing nude male figure with a helmet
Ludwig Michael Schwanthaler (d. 1848)
ca. 1829 · Pen and gray-black ink over graphite on two sheets of laid paper, joined
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 48a: A male figure astride a sea monster facing left and blowing a horn; putti playing behind him on the right; sea monsters wrestingling on the left; one of five frieze prints depicting sea creatures and monsters in the album
Anonymous
1540–1600 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with a male figure battling a griffin, from Feuillages et autres ornements, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with a male figure battling a griffin, from Feuillages et autres ornements, plate 4, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching; third state of three (Préaud)
In copyright
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