
Bronze chariot inlaid with ivory
Unrecorded maker
2nd quarter of the 6th century BCE · Bronze, ivory
Cleared · Public Domain
liveRights clearance desk for images
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Where this page got its records
670 ms. The Metropolitan Museum of Art, Collection API (Open Access)
411 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze chariot inlaid with ivory
Unrecorded maker
2nd quarter of the 6th century BCE · Bronze, ivory
Cleared · Public Domain
live
Bronze cista (toiletries box)
Unrecorded maker
ca. 350–325 BCE · Bronze
Cleared · Public Domain
live
The triumph of love, cupid riding a chariot drawn by unicorn is in the upper right, naked figures fill the composition; a proof impression
Giulio Bonasone (d. 1576)
1545 · Engraving
Cleared · Public Domain
live
Putti Playing with Hoops (Cartoon for a Fresco in Parma Cathedral)
Michelangelo Anselmi (d. 1556)
ca. 1548 · Black chalk; outlines pricked for transfer
Cleared · Public Domain
live
A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro (d. 1586)
1537–86 · Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso)
Cleared · Public Domain
live
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette (d. 1642)
ca. 1617–25 · Etching
Cleared · Public Domain
live
Frieze with putti, some riding a chariot pulled by animals, others riding animals and holding garlands
Lucas Vorsterman II (d. 1666)
ca. 1640–66 · Etching; second state of two (Hollstein)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 49c: A triton and four putti on a ship in the shape of a large conch shell; a female figure riding a sea creature in the top left; one of five frieze prints depicting sea creatures and monsters in the album
Anonymous
1540–1600 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putti riding in a shell drawn by a sea lion with a putto on its back, from a series of five or six frieze designs, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
ca. 1671 · Etching; unidentified state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with a child in a chariot drawn by a sea lion and putti riding in a shell drawn by a sea lion with a putto on its back, from a series of five or six frieze designs, plates 2 and 4
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
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