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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    670 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    411 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 41 matching records exist across the two collections.

Results for "Frieze with putti, some riding a chariot"12 records

Institutions answered newest-first by record, interleaved

Bronze chariot inlaid with ivory by an unrecorded maker, The Metropolitan Museum of Art

Bronze chariot inlaid with ivory

Unrecorded maker

2nd quarter of the 6th century BCE · Bronze, ivory

Cleared · Public Domain

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The MetSimilar
Bronze cista (toiletries box) by an unrecorded maker, The Metropolitan Museum of Art

Bronze cista (toiletries box)

Unrecorded maker

ca. 350–325 BCE · Bronze

Cleared · Public Domain

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The MetSimilar
The triumph of love, cupid riding a chariot drawn by unicorn is in the upper right, naked figures fill the composition; a proof impression by Giulio Bonasone, The Metropolitan Museum of Art

The triumph of love, cupid riding a chariot drawn by unicorn is in the upper right, naked figures fill the composition; a proof impression

Giulio Bonasone (d. 1576)

1545 · Engraving

Cleared · Public Domain

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The MetSimilar
Putti Playing with Hoops (Cartoon for a Fresco in Parma Cathedral) by Michelangelo Anselmi, The Metropolitan Museum of Art

Putti Playing with Hoops (Cartoon for a Fresco in Parma Cathedral)

Michelangelo Anselmi (d. 1556)

ca. 1548 · Black chalk; outlines pricked for transfer

Cleared · Public Domain

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The MetSimilar
A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition by Master of the Die, The Metropolitan Museum of Art

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

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The MetSimilar
A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front by Master of the Die, The Metropolitan Museum of Art

A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

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The MetSimilar
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso). by Marco Angolo del Moro, The Metropolitan Museum of Art

Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).

Marco Angolo del Moro (d. 1586)

1537–86 · Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso)

Cleared · Public Domain

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The MetSimilar
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances by Pierre Brebiette, The Metropolitan Museum of Art

Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances

Pierre Brebiette (d. 1642)

ca. 1617–25 · Etching

Cleared · Public Domain

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The MetSimilar
Frieze with putti, some riding a chariot pulled by animals, others riding animals and holding garlands by Lucas Vorsterman II, The Metropolitan Museum of Art

Frieze with putti, some riding a chariot pulled by animals, others riding animals and holding garlands

Lucas Vorsterman II (d. 1666)

ca. 1640–66 · Etching; second state of two (Hollstein)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 49c: A triton and four putti on a ship in the shape of a large conch shell; a female figure riding a sea creature in the top left; one of five frieze prints depicting sea creatures and monsters in the album

Anonymous

1540–1600 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Putti riding in a shell drawn by a sea lion with a putto on its back, from a series of five or six frieze designs, plate 4, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

ca. 1671 · Etching; unidentified state (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze with a child in a chariot drawn by a sea lion and putti riding in a shell drawn by a sea lion with a putto on its back, from a series of five or six frieze designs, plates 2 and 4

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

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The MetSimilar

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