
From Eaton
Philippe Jacques de Loutherbourg (d. 1812)
December 8, 1776 · Etching; third state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
854 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 74 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

From Eaton
Philippe Jacques de Loutherbourg (d. 1812)
December 8, 1776 · Etching; third state
Cleared · Public Domain
live
Design for "From Warwick Lane"
Philippe Jacques de Loutherbourg (d. 1812)
ca. 1775 · Pen and brown ink, brush and brown wash, over graphite
Cleared · Public Domain
live
Organized square piano (square piano and pipe organ)
Longman & Broderip
1786 · Mahogany, iron, ivory, ebony, various materials
Cleared · Public Domain
live
Fanny Eaton
Simeon Solomon (d. 1905)
October 2, 1860 · Graphite
Cleared · Public Domain
live
Ti ra wa hut Re sa ru (Sky Chief)
Edric L. Eaton (d. 1890)
ca. 1867 · Albumen silver print from glass negative
Cleared · Public Domain
live
Card Number 56, Blanche Eaton, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
W. Duke, Sons & Co. (d. 1920)
1880s · Albumen photograph
Cleared · Public Domain
live
Wyatt Eaton
Olin Levi Warner (d. 1896)
1883, cast 1897–98 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Suggestion for Three Upper Windows in Large Hall for Residence of Mr. T. Eaton, Toronto, Canada"
Louis C. Tiffany (d. 1933)
ca. 1904–11 · Transparent and opaque watercolor on paper and collage of translucent paper and gelatin silver print, mounted on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York, a Series of Wood Engravings in Colour
Walter Prichard Eaton (d. 1957)
1915 · Illustrations: color wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newark
Walter Prichard Eaton (d. 1957)
1917 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Doris Eaton from Motion Picture Stars trade cards (W618)
Kashin Publications
late 1920s · Commercial photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.