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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    337 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    562 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 606 matching records exist across the two collections.

Results for "From My Studio Window"12 records

Institutions answered newest-first by record, interleaved

View from the Artist's Studio Window, Rome by Max Klinger, The Metropolitan Museum of Art

View from the Artist's Studio Window, Rome

Max Klinger (d. 1920)

1890 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar
Two Boats at the Harbor of Dieppe by Eugène Delacroix, The Cleveland Museum of Art

Two Boats at the Harbor of Dieppe

Eugène Delacroix (d. 1863)

1854 · Drawing, watercolor and pencil on paper laid down on board

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View from the Artist's Studio Window, Rome by Max Klinger, The Metropolitan Museum of Art

View from the Artist's Studio Window, Rome

Max Klinger (d. 1920)

1890 · Etching on thin Chinese paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Snapshot – From My Window, New York

Alfred Stieglitz (d. 1946)

1902, printed 1907 · Photogravure

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Snapshot - From My Window, Berlin

Alfred Stieglitz (d. 1946)

1890s–1900s, printed 1907 · Photogravure

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Window at An American Place, North

Alfred Stieglitz (d. 1946)

1931 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Window at the Shelton, North

Alfred Stieglitz (d. 1946)

1931 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Window at the Shelton, West

Alfred Stieglitz (d. 1946)

1931 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roof From My Studio in Hollywood

Johan Hagemeyer (d. 1962)

1931 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Studio Window

John Kane (d. 1934)

1932 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Window at An American Place, Southwest

Alfred Stieglitz (d. 1946)

1932 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

My Studio

Raphael Soyer (d. 1987)

1944 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.