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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    334 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "From Worth Street to the Harlem River (2"12 records

Institutions answered newest-first by record, interleaved

Flower Tokens by Frances Flora Bond Palmer, The Metropolitan Museum of Art

Flower Tokens

Frances Flora Bond Palmer (d. 1876)

1847–49 · Illustrations: hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views in Calcutta

Thomas Daniell (d. 1840)

1786–88 · Hand-colored aquatints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Broadway from 309 to 347

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View on the Harlem River, New York – The Highbridge in the Distance

Frances Flora Bond Palmer (d. 1876)

1852, printed ca. 1865 · Hand-colored lithograph with gum arabic additions

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fast Trotters on Harlem Lane, New York

John Cameron (d. 1896)

1870 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Speeding on the Avenue

John Cameron (d. 1896)

1870 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Washington Bridge, 181st Street and Harlem River, New York, from the Scenes and Buildings series (N155) for Duke brand Honest Long Cut Tobacco

W. Duke, Sons & Co. (d. 1920)

ca. 1889 · Albumen photograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From Worth Street to the Harlem River (21 New York Views)

J. J. Watts (d. 1909)

1860–1905 · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York, a Series of Wood Engravings in Colour

Walter Prichard Eaton (d. 1957)

1915 · Illustrations: color wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Harlem River

Ernest Lawson (d. 1939)

ca. 1913 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Domestic Tourism I: Cairo by Night

Maha Maamoun (d. 9999)

2005 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.