
Flower Tokens
Frances Flora Bond Palmer (d. 1876)
1847–49 · Illustrations: hand-colored lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
334 ms. The Metropolitan Museum of Art, Collection API (Open Access)
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Flower Tokens
Frances Flora Bond Palmer (d. 1876)
1847–49 · Illustrations: hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Calcutta
Thomas Daniell (d. 1840)
1786–88 · Hand-colored aquatints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway from 309 to 347
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Harlem River, New York – The Highbridge in the Distance
Frances Flora Bond Palmer (d. 1876)
1852, printed ca. 1865 · Hand-colored lithograph with gum arabic additions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fast Trotters on Harlem Lane, New York
John Cameron (d. 1896)
1870 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Speeding on the Avenue
John Cameron (d. 1896)
1870 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Washington Bridge, 181st Street and Harlem River, New York, from the Scenes and Buildings series (N155) for Duke brand Honest Long Cut Tobacco
W. Duke, Sons & Co. (d. 1920)
ca. 1889 · Albumen photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Worth Street to the Harlem River (21 New York Views)
J. J. Watts (d. 1909)
1860–1905 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York, a Series of Wood Engravings in Colour
Walter Prichard Eaton (d. 1957)
1915 · Illustrations: color wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harlem River
Ernest Lawson (d. 1939)
ca. 1913 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Domestic Tourism I: Cairo by Night
Maha Maamoun (d. 9999)
2005 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.