No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From the Fields
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
282 ms. The Metropolitan Museum of Art, Collection API (Open Access)
360 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 161,401 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From the Fields
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
live
Corn Fields
Félix Vallotton (d. 1925)
1900 · Painting, oil on board
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return from the Fields
Percy Frederick Albee (d. 1959)
1930–31 · Drypoint
In copyright
live
Return from the Fields
Jean-François Millet (d. 1875)
c. 1846–47 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return from the Fields
Percy Frederick Albee (d. 1959)
1930–31 · Drypoint
In copyright
live
Across the Fields
Édouard Vuillard (d. 1940)
1899 · Print, color lithograph
Cleared · CC0
live
Sleeping Peasants near Fields (Parable of the Weeds)
Simon de Vlieger (d. 1653)
1650–53 · Painting, oil on canvas
Cleared · CC0
live
Love in the Elysian Fields
Giulio Bonasone (d. 1576)
1563 · Print, engraving
Cleared · CC0
live
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)
Claus de Werve (d. 1439)
1404–10 · Sculpture, vizille alabaster
Cleared · CC0
live
Tsukasa and Other Courtesans of the Ogiya Watching the Autumn Moon Rise Over Rice Fields from a Balcony in the Yoshiwara
Katsushika Hokusai (d. 1849)
1799 · Print, Surimono; color woodblock print
Cleared · CC0
live
Half-Suit of Armor for the Field
Unrecorded maker
c. 1575 · Arms and Armor, steel with etched decorative bands and roundels
Cleared · CC0
live
A Cottage in the Woods
Meindert Hobbema (d. 1709)
c. 1662 · Painting, oil on canvas
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.