
The Mountain Ford
Thomas Cole (d. 1848)
1846 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
368 ms. The Metropolitan Museum of Art, Collection API (Open Access)
429 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,966 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Mountain Ford
Thomas Cole (d. 1848)
1846 · Oil on canvas
Cleared · Public Domain
live
Heart of the Andes
Frederic Edwin Church (d. 1900)
1859 · Oil on canvas
Cleared · Public Domain
live
The Mountain Man
Frederic Remington (d. 1909)
1903, cast by March 1907 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Affectionate Heart
Unidentified
ca. 1820–35 · Watercolor on velvet
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain Torrent
Sir Edwin Henry Landseer (d. 1873)
1848 (?) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
10. "The Switzerland of America" from Mountain Road [?]
G. F. Gates
1860s–80s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Heart of the Storm
Anne W. Brigman (d. 1950)
1912 · Gelatin silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain
Gaston Lachaise (d. 1935)
1924 · Bronze and glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain
Balthus (Balthasar Klossowski) (d. 2001)
1936–37 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain Villa
Lawrence Edward Kupferman (d. 1982)
1937 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From the Heart of the Mountain Anchored the Path of Unknowing
Heidi Lau (d. 9999)
2023 · Glazed ceramic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.