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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    690 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,458 matching records exist across the two collections.

Results for "Front of the New Mills"12 records

Institutions answered newest-first by record, interleaved

Vinaigrette by Nathaniel Mills, The Metropolitan Museum of Art

Vinaigrette

Nathaniel Mills (d. 1843)

1834 · Silver

Cleared · Public Domain

live
The MetSimilar
Front of the New Mills by John Crome, The Cleveland Museum of Art

Front of the New Mills

John Crome (d. 1821)

1813 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Samples by Pacific Mills, The Metropolitan Museum of Art

Samples

Pacific Mills

1856 · Wool, printed

Cleared · Public Domain

live
The MetSimilar
Part of Construction Corps Building New Military Truss Bridge Across Bull Run by Egbert Guy Fowx, The Metropolitan Museum of Art

Part of Construction Corps Building New Military Truss Bridge Across Bull Run

Egbert Guy Fowx (d. 1889)

April 1863 · Salted paper print from glass negative

Cleared · Public Domain

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The MetSimilar
Ruins of Gallego Flour Mills, Richmond by Alexander Gardner, The Metropolitan Museum of Art

Ruins of Gallego Flour Mills, Richmond

Alexander Gardner (d. 1882)

1865 · Albumen silver prints from glass negatives

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Back of the New Mills, Norwich

John Crome (d. 1821)

1813 · Etching on chine collé; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Front of the New Mills, Norwich

John Crome (d. 1821)

1813 · Etching and drypoint on chine collé; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Course of the Hudson and the Mills Near Sandy Hill (Amérique Septentrionale – État de New York)

Jacques Gérard Milbert (d. 1840)

1828–29 · Lithograph on chine collé; proof before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mills on the Black River (Amérique Septentrionale – État de New York)

Jacques Gérard Milbert (d. 1840)

1828–29 · Lithograph on chine collé; proof before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Back of the New Mills, Norwich, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1813–34 · Etching on chine collé; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Front of the New Mills, Norwich, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1813–34 · Etching on chine collé; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hall-Mills Trial, Somerville, New Jersey

Sam Falk (d. 1991)

1926 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.