
Front view of the villa, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino)
Stefano della Bella (d. 1664)
ca. 1653 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
584 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,454 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Front view of the villa, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino)
Stefano della Bella (d. 1664)
ca. 1653 · Etching
Cleared · Public Domain
live
Two views of a grotto, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino)
Stefano della Bella (d. 1664)
ca. 1653 · Etching
Cleared · Public Domain
live
View of the Villa Medici
Giovanni Battista Falda (d. 1678)
after 1677 · Etching
Cleared · Public Domain
live
The Villa Loredan, near Treviso
Francesco Guardi (d. 1793)
ca. 1778 · Pen and brown ink, brush and brown wash, touches of white gouache, over black chalk
Cleared · Public Domain
live
View from the French Academy at the Villa Medici
Giacomo Caneva (d. 1865)
ca. 1852 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Another view of the Villa of Maecenas, Tivola, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Villa of Maecenas [...], from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Villa d'Este, Tivoli, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the Gardens of the Villa d'Este
Léon Pallière (d. 1820)
ca. 1814–17 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Porta Pinciana from the Gardens of the Villa Ludovisi
François Edouard Picot (d. 1868)
ca. 1814–17 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Monte Sant'Angelo from the Villa Auriemma near Sorrento
August Lucas (d. 1863)
1832 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.