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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    249 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    584 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,454 matching records exist across the two collections.

Results for "Front view of the villa, from "Views of"11 records

Institutions answered newest-first by record, interleaved

Front view of the villa, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino) by Stefano della Bella, The Metropolitan Museum of Art

Front view of the villa, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino)

Stefano della Bella (d. 1664)

ca. 1653 · Etching

Cleared · Public Domain

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The MetSimilar
Two views of a grotto, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino) by Stefano della Bella, The Metropolitan Museum of Art

Two views of a grotto, from "Views of the villa at Pratolino" (Vues de la villa de Pratolino)

Stefano della Bella (d. 1664)

ca. 1653 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Villa Medici by Giovanni Battista Falda, The Metropolitan Museum of Art

View of the Villa Medici

Giovanni Battista Falda (d. 1678)

after 1677 · Etching

Cleared · Public Domain

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The MetSimilar
The Villa Loredan, near Treviso by Francesco Guardi, The Metropolitan Museum of Art

The Villa Loredan, near Treviso

Francesco Guardi (d. 1793)

ca. 1778 · Pen and brown ink, brush and brown wash, touches of white gouache, over black chalk

Cleared · Public Domain

live
The MetSimilar
View from the French Academy at the Villa Medici by Giacomo Caneva, The Metropolitan Museum of Art

View from the French Academy at the Villa Medici

Giacomo Caneva (d. 1865)

ca. 1852 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Another view of the Villa of Maecenas, Tivola, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Villa of Maecenas [...], from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Villa d'Este, Tivoli, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the Gardens of the Villa d'Este

Léon Pallière (d. 1820)

ca. 1814–17 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Porta Pinciana from the Gardens of the Villa Ludovisi

François Edouard Picot (d. 1868)

ca. 1814–17 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Monte Sant'Angelo from the Villa Auriemma near Sorrento

August Lucas (d. 1863)

1832 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.