Frontispiece: cartouche at center, putti on either side riding on dolphins, from 'Various Embarkations' (Divers embarquements)
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
333 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
367 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Results for "Frontispiece: Divers Embarquements"12 records
Institutions answered newest-first by record, interleaved
Plate 6: three ships in a storm, from 'Various Embarkations' (Divers embarquements)
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Divers paysages
Stefano della Bella (d. 1664)
ca. 1646 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece to Divers exercices de cavalerie
Stefano della Bella (d. 1664)
ca. 1645–46 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece: Divers Embarquements
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Galley at a Dock
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Galley Embarkment
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Merchandise Loaded into Bark; Two Galleys
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ships in Port and Workmen
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ships Under Full Sail
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Soldiers Waiting for Embarkment
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Ships in a Storm
Stefano della Bella (d. 1664)
ca. 1646–47 · Etching, state ii
In copyright
liveThe MetSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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