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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    774 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    354 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 334 matching records exist across the two collections.

Results for "Frontispiece depicting a seated allegori"12 records

Institutions answered newest-first by record, interleaved

La Vierge et l'Enfant Jésus apparaissent au milieu d'un nuage sur un autel au pied duquel un reine est agenouillée en prières, au bas à droite (The Virgin and Christ Child Seated Amidst Clouds on an Altar, beneath which a Queen Kneels in Prayer at Lower Right), Third Sunday after Pentecost, scene 9 from Images des Fêtes Mobiles (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year) by Jacques Callot, The Metropolitan Museum of Art

La Vierge et l'Enfant Jésus apparaissent au milieu d'un nuage sur un autel au pied duquel un reine est agenouillée en prières, au bas à droite (The Virgin and Christ Child Seated Amidst Clouds on an Altar, beneath which a Queen Kneels in Prayer at Lower Right), Third Sunday after Pentecost, scene 9 from Images des Fêtes Mobiles (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)

Jacques Callot (d. 1635)

ca. 1632 · Etching; fourth state of five (Lieure)

Cleared · Public Domain

live
The MetSimilar
Study of a Putto Seated on a Corbel in a Shell Niche by Carlo Maratti, The Metropolitan Museum of Art

Study of a Putto Seated on a Corbel in a Shell Niche

Carlo Maratti (d. 1713)

ca. 1674–76 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Title Page, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Title Page, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Reviewers' Cave by John Hamilton Mortimer, The Metropolitan Museum of Art

The Reviewers' Cave

John Hamilton Mortimer (d. 1779)

1765 · Pen and gray ink

Cleared · Public Domain

live
The MetSimilar
Allegory on the Death of George Washington by Jacques Kuyper, The Metropolitan Museum of Art

Allegory on the Death of George Washington

Jacques Kuyper (d. 1808)

1800 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Taste (Gustus), from a series of The Five Sense

Anonymous, Flemish, 16th century (d. 1600)

ca. 1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seconda Comparsa del Toreno a piedi Fatto in Mantova per le Nozze di S. M. Ces.a [...], depicting Six Allegorical Figures Seated Amidst Clouds, from Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese

Giuseppe Maria Mitelli (d. 1718)

1674 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frontispiece depicting a seated allegorical representation of Painting, crowned by a putto, within a border with two variant designs, from Panneaux d'ornements, plate 1

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frontispiece depicting a seated allegorical representation of Painting, crowned by a putto, within a border with two variant designs, from Panneaux d'ornements, plate 1, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

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