Basle, part I, plate 5 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; first state of six (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
295 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
346 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 117 matching records exist across the two collections.
Results for "Frontispiece from "Liber Studiorum""12 records
Institutions answered newest-first by record, interleaved
Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare
John Sell Cotman (d. 1842)
1838 · Bound Volume, softground etching, from a bound volume containing 48 plates
Cleared · CC0
liveCleveland Museum of ArtSimilar
Jason, part I, plate 6 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; first state of five
Cleared · Public Domain
liveThe MetSimilar
Dunstanborough Castle, part III, plate 14 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 10, 1808 · Etching, aquatint and mezzotint; first state
Cleared · Public Domain
liveThe MetSimilar
Morpeth North, part IV, plate 21 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
March 29, 1809 · Etching and mezzotint; first state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Juvenile Tricks, part V, plate 22 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching and mezzotint; first state
Cleared · Public Domain
liveThe MetSimilar
Marine Dabblers, part VI, plate 29 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 1811 · Etching and mezzotint; first state of two
Cleared · Public Domain
liveThe MetSimilar
Young Anglers, part VII from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 1, 1811 · Etching and mezzotint; first state of three
Cleared · Public Domain
liveThe MetSimilar
Calm, part IX, plate 44 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching, aquatint and mezzotint; third state of seven (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Frontispiece from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
May 1812 · Etching and mezzotint; first state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Water Mill, part VII, plate 37 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
February 1, 1812 · Etching and mezzotint; first state of three (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching and mezzotint; first state of three (Finberg)
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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