Returning Home in a Driving Rain
Xia Gui (d. 1230)
early 13th century · Fan mounted as an album leaf; ink and color on silk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
82 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
19 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 84 matching records exist across the two collections.
Results for "Frontispiece to "The Farmer's Return""12 records
Institutions answered newest-first by record, interleaved
Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628
Abraham Bosse (d. 1676)
1629 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
Frontispiece to "The Farmer's Return"
James Basire, the elder (d. 1802)
March 1762 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Hedging and Ditching, part X, plate 47 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
May 23, 1812 · Etching and mezzotint; first state of four
Cleared · Public Domain
liveThe MetSimilar
The Prince's Progress, and Other Poems
Christina Georgina Rossetti (d. 1894)
1866 · Illustrations: wood engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni (d. 1823)
1820 · Printed book
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transactions of the Apollo Association for the Promotion of the Fine Arts, in the United States, for the Year 1842
Apollo Association for the Promotion of the Fine Arts (d. 1851)
1842 · Illustration: etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wanderer's Return
Frederick Stuart Church (d. 1924)
1887 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 1
Charles Haslewood Shannon (d. 1937)
1889 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old rose and silver
Margaret Neilson Armstrong (d. 1944)
1910
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Palmist Building Window, Alabama]
Walker Evans (d. 1975)
October 1973 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Topp's Snuff Sign, Alabama]
Walker Evans (d. 1975)
October 1973 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.