
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
445 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
live
The Goddess Diana as a Personification of the Moon (Luna)
Jacques Jonghelinck (d. 1606)
1563–85 · Pen and brown ink, brush and brown and blue wash, red chalk, white gouache, over black chalk; squared in black chalk
Cleared · Public Domain
live
Cabinet (Fassadenschrank)
Unrecorded maker
early 17th century · Pine, oak, walnut; Hungarian ash, birch, various fruitwoods, walnut, palisander, other woods, partly stained (marquetry veneer); wrought iron,
Cleared · Public Domain
live
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt
Giovanni Lanfranco (d. 1647)
1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines
Cleared · Public Domain
live
Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
live
Traveling table (table de voyage or table pliante)
Unrecorded maker
ca. 1700–1720 · Carved walnut; gilt-bronze mounts; steel hinges; linings of felt and leather
Cleared · Public Domain
live
Shoulao
Chantilly
ca. 1735–40 · Tin-glazed soft-paste porcelain decorataed in polychrome enamels
Cleared · Public Domain
live
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox (d. 1800)
1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels
Cleared · Public Domain
live
Pair of tripod stands (athèniennes)
Jean-Henri Eberts (d. 1825)
ca. 1773 · Carved and gilded pine; brass liners; gilt bronze
Cleared · Public Domain
live
Marie Antoinette in a Park
Elisabeth Louise Vigée Le Brun (d. 1842)
ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk
Cleared · Public Domain
live
Cuirass
Coulaux Frères, Manufacture Royale d'Armes de Klingenthal (d. 1836)
ca. 1825 · Steel, gold, copper alloy, leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fruits et Feuillages, from "Le Magasin Pittoresque"
William James Linton (d. 1897)
July 1854 · Wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.