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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    521 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 182 matching records exist across the two collections.

Results for "Funerary Equipment, Tomb of Userhat"12 records

Institutions answered newest-first by record, interleaved

Funerary Cone of Overseer Userhat by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of Overseer Userhat

Unrecorded maker

ca. 1550–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Funerary Cone of the Overseer Userhat by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of the Overseer Userhat

Unrecorded maker

ca. 1550–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Dummy Jar Inscribed for Sennefer and Senetnay by an unrecorded maker, The Metropolitan Museum of Art

Dummy Jar Inscribed for Sennefer and Senetnay

Unrecorded maker

ca. 1427–1396 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Dummy Jar Inscribed for Sennefer and Senetnay by an unrecorded maker, The Metropolitan Museum of Art

Dummy Jar Inscribed for Sennefer and Senetnay

Unrecorded maker

ca. 1427–1396 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Funerary Equipment, Tomb of Userhat by Norman de Garis Davies, The Metropolitan Museum of Art

Funerary Equipment, Tomb of Userhat

Norman de Garis Davies (d. 1941)

1911; original ca. 1299–1290 BCE · Tempera on paper

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Inlay, hieroglyph

Unrecorded maker

664–610 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.