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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    503 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 928 matching records exist across the two collections.

Results for "Funerary Figure of Isis, Singer of the A"11 records

Institutions answered newest-first by record, interleaved

Funerary Figure of Akhenaten by an unrecorded maker, The Metropolitan Museum of Art

Funerary Figure of Akhenaten

Unrecorded maker

ca. 1347–1330 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Funerary Figure of Akhenaten by an unrecorded maker, The Metropolitan Museum of Art

Funerary Figure of Akhenaten

Unrecorded maker

ca. 1347–1330 BCE · Quartzite (brown)

Cleared · Public Domain

live
The MetSimilar
Funerary Figure of Isis, Singer of the Aten by an unrecorded maker, The Metropolitan Museum of Art

Funerary Figure of Isis, Singer of the Aten

Unrecorded maker

ca. 1347–1330 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Upper part of Isis, from a figure of the goddess nursing Horus by an unrecorded maker, The Metropolitan Museum of Art

Upper part of Isis, from a figure of the goddess nursing Horus

Unrecorded maker

ca. 945–721 BCE · Egyptian blue

Cleared · Public Domain

live
The MetSimilar
Upper part of a figure of Isis nursing Horus by an unrecorded maker, The Metropolitan Museum of Art

Upper part of a figure of Isis nursing Horus

Unrecorded maker

4th to 3rd Century BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Upper part of a figure of Isis nursing Horus by an unrecorded maker, The Metropolitan Museum of Art

Upper part of a figure of Isis nursing Horus

Unrecorded maker

4th to 3rd Century BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Figure of Isis nursing Horus by an unrecorded maker, The Metropolitan Museum of Art

Figure of Isis nursing Horus

Unrecorded maker

332–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Healing statue of Isis by an unrecorded maker, The Metropolitan Museum of Art

Healing statue of Isis

Unrecorded maker

332–30 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Isis amulet by an unrecorded maker, The Metropolitan Museum of Art

Isis amulet

Unrecorded maker

332–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Mourning Isis by an unrecorded maker, The Metropolitan Museum of Art

Mourning Isis

Unrecorded maker

332–30 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Figure in Hammock, Florida by John Singer Sargent, The Metropolitan Museum of Art

Figure in Hammock, Florida

John Singer Sargent (d. 1925)

1917 · Watercolor, gouache, and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.