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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    236 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Funerary Monument for the Marquis de Tou"6 records

Institutions answered newest-first by record, interleaved

Bound-hands hacha by Classic Veracruz artist(s), The Metropolitan Museum of Art

Bound-hands hacha

Classic Veracruz artist(s)

600–900 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Yoke by an unrecorded maker, The Metropolitan Museum of Art

Yoke

Unrecorded maker

600-900 CE · Serpentine

Cleared · Public Domain

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The MetSimilar
Design for the Tomb of Pope Julius II della Rovere by Michelangelo Buonarroti, The Metropolitan Museum of Art

Design for the Tomb of Pope Julius II della Rovere

Michelangelo Buonarroti (d. 1564)

1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint

Cleared · Public Domain

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The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto)

Anonymous, Italian, 16th century (d. 1600)

1534–84 · Pencil and ink

Cleared · Public Domain

live
The MetSimilar
Louis XV (1710–1774), King of France by Jean-Baptiste Lemoyne the Younger, The Metropolitan Museum of Art

Louis XV (1710–1774), King of France

Jean-Baptiste Lemoyne the Younger (d. 1778)

1757 · White marble

Cleared · Public Domain

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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