
Bound-hands hacha
Classic Veracruz artist(s)
600–900 CE · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
236 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bound-hands hacha
Classic Veracruz artist(s)
600–900 CE · Stone
Cleared · Public Domain
live
Yoke
Unrecorded maker
600-900 CE · Serpentine
Cleared · Public Domain
live
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti (d. 1564)
1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Cleared · Public Domain
live
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger (d. 1546)
1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Cleared · Public Domain
live
Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto)
Anonymous, Italian, 16th century (d. 1600)
1534–84 · Pencil and ink
Cleared · Public Domain
live
Louis XV (1710–1774), King of France
Jean-Baptiste Lemoyne the Younger (d. 1778)
1757 · White marble
Cleared · Public Domain
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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