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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Funerary relief"12 records

Institutions answered newest-first by record, interleaved

Relief with Dragon from a Funerary Stove Model by an unrecorded maker, The Cleveland Museum of Art

Relief with Dragon from a Funerary Stove Model

Unrecorded maker

202 BCE–220 CE · Ceramic, earthenware with relief decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief with Tiger from a Funerary Stove Model by an unrecorded maker, The Cleveland Museum of Art

Relief with Tiger from a Funerary Stove Model

Unrecorded maker

202 BCE–220 CE · Ceramic, earthenware with relief decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief with Rampant Tiger and Boar from a Funerary Stove Model by an unrecorded maker, The Cleveland Museum of Art

Relief with Rampant Tiger and Boar from a Funerary Stove Model

Unrecorded maker

202 BCE–220 CE · Ceramic, earthenware with relief decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tomb Relief by an unrecorded maker, The Cleveland Museum of Art

Tomb Relief

Unrecorded maker

230 CE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Men Bearing Tomb Equipment by an unrecorded maker, The Cleveland Museum of Art

Men Bearing Tomb Equipment

Unrecorded maker

c. 667–647 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) by Claus de Werve, The Cleveland Museum of Art

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)

Claus de Werve (d. 1439)

1404–10 · Sculpture, vizille alabaster

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stele of Shemai by an unrecorded maker, The Cleveland Museum of Art

Stele of Shemai

Unrecorded maker

c. 1960–1916 BCE · Funerary Equipment, painted limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Men Trussing an Ox by an unrecorded maker, The Cleveland Museum of Art

Men Trussing an Ox

Unrecorded maker

c. 667–647 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Frieze Fragment with Chariot Procession by an unrecorded maker, The Cleveland Museum of Art

Frieze Fragment with Chariot Procession

Unrecorded maker

100s CE · Sculpture, stone carved in low relief with engraved detail

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child by Benedetto Briosco, The Cleveland Museum of Art

Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child

Benedetto Briosco (d. 1514)

shortly after 1484 · Sculpture, marble with gilding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Boats with Female Mourners by an unrecorded maker, The Cleveland Museum of Art

Two Boats with Female Mourners

Unrecorded maker

c. 667–647 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Panel from Model Cooking Stove:  Fairy Feeding Lingzhi Fungus to a Dragon by an unrecorded maker, The Cleveland Museum of Art

Panel from Model Cooking Stove: Fairy Feeding Lingzhi Fungus to a Dragon

Unrecorded maker

100–1 BCE · Ceramic, earthenware with impressed relief decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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