Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
460 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oliver Wendell Holmes, Henry W. Longfellow, John G. Whittier, from the Great Americans series (N112) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.
W. Duke, Sons & Co. (d. 1920)
1888 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"A Great Batsman," with G. N. Rucker and William Bergen, from the series Hassan Triple Folders (T202)
Hassan Cigarettes
1912 · Commercial lithographs with half-tone photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chevreuse from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
E. Benner from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
F. Lejune from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
G. Graef from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
G. Paperiz from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
J. Benner from Great Paintings trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L. Hodebert from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
O. Begas from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
P. Baudry from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
P. Tiller from Great Painters trade cards (W500)
Unrecorded maker
ca. 1910–20 · Commercial color photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.