
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Unrecorded maker
500 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
456 ms. The Metropolitan Museum of Art, Collection API (Open Access)
330 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 44 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Unrecorded maker
500 BCE · Terracotta
Cleared · Public Domain
live
Glass bowl fragment with gold leaf and painted decoration
Unrecorded maker
3rd–4th century CE · Glass, gold, paint
Cleared · Public Domain
live
Galatea standing in a water-chariot pulled by two dolphins, surrounded by tritons, nereids, and putti, three of which prepare to shoot arrows from above
Marcantonio Raimondi (d. 1534)
1515–16 · Engraving
Cleared · Public Domain
live
Apollo and Galatea in a Landscape with Neptune and Three Nymphs
Orazio Samacchini (d. 1577)
1550–60 · Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk (with some corrections to squaring grid); traces of framing outlines in pen and dark brown ink
Cleared · Public Domain
live
Medea and Her Chariot Drawn by Dragons (Echevellée et nue par nuit brune, en lieu désert invoque astres et lune...), from "Jason and the Golden Fleece"
René Boyvin (d. 1598)
1563 · Engraving
Cleared · Public Domain
live
Rape of Persephone with Pluto on horseback at right
Giuseppe Scolari (d. 1607)
1590–1607 · Woodcut
Cleared · Public Domain
live
Design for a Fountain with Neptune in his Chariot
Francesco Fontebasso (d. 1769)
ca. 1740–60 · Black and red chalk, pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Acis and Galatea
Francesco Bartolozzi (d. 1815)
1787 · Engraving and etching; third state of three
Cleared · Public Domain
live
Dhumavati
Sasadhar Banarjee
ca. 1875–85 · Lithograph with black ink, watercolor, and glaze on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Galatea standing in a water-chariot pulled by two dolphins, surrounded by tritons, nereids, and putti, three of which prepare to shoot arrows from above
Marcantonio Raimondi (d. 1534)
1515–16 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The element of water, Galatea sits in a shell chariot drawn by dolphins, a circular composition
Antoine Hérisset (d. 1769)
ca. 1700–1740 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Fire Brigade -- A Prize Squirt: "Now den! Shake her up once moah fur de Mug."
Currier & Ives (d. 1907)
1885 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.