
Cœnotaphiorum (3)
Hans Vredeman de Vries (d. 1606)
1563 · Etching; first state of four
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
450 ms. The Metropolitan Museum of Art, Collection API (Open Access)
367 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,618 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cœnotaphiorum (3)
Hans Vredeman de Vries (d. 1606)
1563 · Etching; first state of four
Cleared · Public Domain
live
Theatrical Pleasures, ( Snug in the Gallery, Plate 3)
Theodore Lane (d. 1828)
ca. 1835 · Hand-colored etching
Cleared · Public Domain
live
The Upper Gallery
Philip Henry Delamotte (d. 1889)
1854 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi (d. 1682)
ca. 1661 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rococo Ornament - Foliage, Plate 3
Pierre Philippe Choffard (d. 1809)
before 1767 · Crayon manner engraving in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance Ticket for New York Gallery of Fine Arts, issued to H. T. Haviland
Anonymous, American, 19th century (d. 1900)
1846 · Etching and engraving, inscribed in pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery of American Art, No. I
American Art-Union, New York (d. 1851)
1850–51 · Etching and engraving on steel and paper wrapper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude Art, The Vancouver Art Gallery, Nov. 3 - 29, 1964
Richard Lindner (d. 1978)
1964
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery Structure #1
Dennis Oppenheim (d. 2011)
1967 · Painted wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery Structure #2
Dennis Oppenheim (d. 2011)
1967 · Painted wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery Structure #3
Dennis Oppenheim (d. 2011)
1967 · Painted plywood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.