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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    450 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,618 matching records exist across the two collections.

Results for "Gallery Structure #3"11 records

Institutions answered newest-first by record, interleaved

Cœnotaphiorum (3) by Hans Vredeman de Vries, The Metropolitan Museum of Art

Cœnotaphiorum (3)

Hans Vredeman de Vries (d. 1606)

1563 · Etching; first state of four

Cleared · Public Domain

live
The MetSimilar
Theatrical Pleasures, ( Snug in the Gallery, Plate 3) by Theodore Lane, The Metropolitan Museum of Art

Theatrical Pleasures, ( Snug in the Gallery, Plate 3)

Theodore Lane (d. 1828)

ca. 1835 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Upper Gallery by Philip Henry Delamotte, The Metropolitan Museum of Art

The Upper Gallery

Philip Henry Delamotte (d. 1889)

1854 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rococo Ornament - Foliage, Plate 3

Pierre Philippe Choffard (d. 1809)

before 1767 · Crayon manner engraving in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance Ticket for New York Gallery of Fine Arts, issued to H. T. Haviland

Anonymous, American, 19th century (d. 1900)

1846 · Etching and engraving, inscribed in pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery of American Art, No. I

American Art-Union, New York (d. 1851)

1850–51 · Etching and engraving on steel and paper wrapper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude Art, The Vancouver Art Gallery, Nov. 3 - 29, 1964

Richard Lindner (d. 1978)

1964

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery Structure #1

Dennis Oppenheim (d. 2011)

1967 · Painted wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery Structure #2

Dennis Oppenheim (d. 2011)

1967 · Painted wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery Structure #3

Dennis Oppenheim (d. 2011)

1967 · Painted plywood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.