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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    146 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    263 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "General Plan (Plan général), plate 1 fro"12 records

Institutions answered newest-first by record, interleaved

Grouped pigment jars by Teotihuacan artist(s), The Metropolitan Museum of Art

Grouped pigment jars

Teotihuacan artist(s)

300–800 CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
Wall clock (cartel) by Etienne LeNoir, The Metropolitan Museum of Art

Wall clock (cartel)

Etienne LeNoir (d. 1739)

ca. 1735–40 · Case: soft-paste porcelain and partly gilded brass; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Inuit Manner of Dress by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Inuit Manner of Dress

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk, with additions in graphite

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Pennsylvania Magazine or American Monthly Museum by Robert Aitken, The Metropolitan Museum of Art

Pennsylvania Magazine or American Monthly Museum

Robert Aitken (d. 1802)

January–December 1775 · Illustrations: engraving

Cleared · Public Domain

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The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Armchair by Karl Friedrich Schinkel, The Metropolitan Museum of Art

Armchair

Karl Friedrich Schinkel (d. 1841)

ca. 1828 · Gilded mountain ash; brass mounts and casters; modern upholstery

Cleared · Public Domain

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The MetSimilar
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850 by Felix Octavius Carr Darley, The Metropolitan Museum of Art

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850

Felix Octavius Carr Darley (d. 1888)

1849–50 · Lithographs (called etching on stone)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General Plan of the Palace at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General plan of the Continuation of the street, and of the buildings adjacent to the house of the surgeon, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 44

Francesco Piranesi (d. 1810)

1806 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General Plan (Plan général), plate 1 from "Project for a country house" (Projet d'une maison de campagne pour un particulier...)

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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