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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1234 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    399 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 99 matching records exist across the two collections.

Results for "General Plan of the Gardens at Kew"12 records

Institutions answered newest-first by record, interleaved

General Plan of the Gardens at Kew by Sir William Chambers, The Metropolitan Museum of Art

General Plan of the Gardens at Kew

Sir William Chambers (d. 1796)

1763 · Watercolor, pen and ink

Cleared · Public Domain

live
The MetSimilar
View of the Menagerie at Kew by Thomas Sandby, The Metropolitan Museum of Art

View of the Menagerie at Kew

Thomas Sandby (d. 1798)

1763 · Watercolor

Cleared · Public Domain

live
The MetSimilar
View of the Wilderness at Kew by William Marlow, The Metropolitan Museum of Art

View of the Wilderness at Kew

William Marlow (d. 1813)

1763 · Watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General Plan of the Palace at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan and Elevation of the Bridge at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the Pheasant Ground at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

South Elevation and Plan of the Greenhouse at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple of Bellona, Elevation and Plan, at Kew

Sir William Chambers (d. 1796)

1763 · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Alhambra at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Aviary at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ceiling and Plan of the Alhambra at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mosque at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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