Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Genesis II"11 records

Institutions answered newest-first by record, interleaved

Genesis II by Franz Marc, The Cleveland Museum of Art

Genesis II

Franz Marc (d. 1916)

1914 · Print, color woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 12: Benjamin by Jacob de Gheyn II, The Cleveland Museum of Art

Plate 12: Benjamin

Jacob de Gheyn II (d. 1629)

c. 1589 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marriage of Adam and Eve by Jean Duvet, The Cleveland Museum of Art

Marriage of Adam and Eve

Jean Duvet (d. 1561)

1555 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 112r, Kings II, historiated initial F, the beheading of the Amalekite by an unrecorded maker, The Cleveland Museum of Art

Fol. 112r, Kings II, historiated initial F, the beheading of the Amalekite

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 184r, Ezra II, historiated initial E, a priest censing an altar by an unrecorded maker, The Cleveland Museum of Art

Fol. 184r, Ezra II, historiated initial E, a priest censing an altar

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tiger by Franz Marc, The Cleveland Museum of Art

Tiger

Franz Marc (d. 1916)

1912 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 457v, Timothy II, historiated initial P, Paul talking to the bust of God above by an unrecorded maker, The Cleveland Museum of Art

Fol. 457v, Timothy II, historiated initial P, Paul talking to the bust of God above

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 382v, Maccabees II, historiated initial F, a golden chalice presented to a Jew by an unrecorded maker, The Cleveland Museum of Art

Fol. 382v, Maccabees II, historiated initial F, a golden chalice presented to a Jew

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 160r, Chronicles II, historiated initial C, Solomon kneeling before an altar praying, a bust of God above by an unrecorded maker, The Cleveland Museum of Art

Fol. 160r, Chronicles II, historiated initial C, Solomon kneeling before an altar praying, a bust of God above

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 445v, Corinthians II, historiated initial P, Paul standing with a sword, talking to the bust of God above by an unrecorded maker, The Cleveland Museum of Art

Fol. 445v, Corinthians II, historiated initial P, Paul standing with a sword, talking to the bust of God above

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 455v, Thessalonians II, historiated initial P, Paul seated with a sword, talking to the bust of God above by an unrecorded maker, The Cleveland Museum of Art

Fol. 455v, Thessalonians II, historiated initial P, Paul seated with a sword, talking to the bust of God above

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.