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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    910 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 204 matching records exist across the two collections.

Results for "George A. Wood, Left Field, Philadelphia"6 records

Institutions answered newest-first by record, interleaved

George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company, The Metropolitan Museum of Art

George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes

Goodwin & Company (d. 1950)

1887 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company, The Metropolitan Museum of Art

George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes

Goodwin & Company (d. 1950)

1887 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
Wood, Left Field, Phila., from the Gold Coin series (N284) for Gold Coin Chewing Tobacco by D. Buchner & Co., New York, The Metropolitan Museum of Art

Wood, Left Field, Phila., from the Gold Coin series (N284) for Gold Coin Chewing Tobacco

D. Buchner & Co., New York (d. 1900)

1887 · Commercial color lithograph reproducing drawing

Cleared · Public Domain

live
The MetSimilar
Wood, Left Field, Philadelphia, from the Kalamazoo Bats series (N690) issued by Chas. Gross & Co. to promote Kalamazoo Bats by Chas. Gross & Co., The Metropolitan Museum of Art

Wood, Left Field, Philadelphia, from the Kalamazoo Bats series (N690) issued by Chas. Gross & Co. to promote Kalamazoo Bats

Chas. Gross & Co.

1887 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company, The Metropolitan Museum of Art

George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes

Goodwin & Company (d. 1950)

1888 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company, The Metropolitan Museum of Art

George A. Wood, Left Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes

Goodwin & Company (d. 1950)

1887–90 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.