
Panel with trophy representing Africa
Unrecorded maker
ca. 1780–85 · Oak
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
211 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 87 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel with trophy representing Africa
Unrecorded maker
ca. 1780–85 · Oak
Cleared · Public Domain
live
Panel from the top of a mirror frame
Unrecorded maker
18th century · Oak
Cleared · Public Domain
live
Side Chair
Henry Ingle (d. 1822)
1795–1810 · Mahogany with oak, yellow poplar, yellow pine, maple
Cleared · Public Domain
live
Side Chair
Henry Ingle (d. 1822)
1795–1810 · Mahogany
Cleared · Public Domain
live
The Royal Allied Oak and Self-Created Mushroom Kings
William Heath ('Paul Pry') (d. 1840)
May 29, 1815 · Hand-colored etching
Cleared · Public Domain
live
Barking Timber in Wychwood Forest, Oxfordshire
Joshua Cristall (d. 1847)
1818 (?) · Graphite, pen and gray ink, watercolor with reductive techniques and gum arabic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plaque
Rookwood Pottery Company (d. 1967)
1919 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bill Raimondi, Oaks Catcher, from the Oakland Baseball Players (Oaks) series (D317), issued by Sunbeam Bread and Remar Bread
Sunbeam Bread
1946–1950 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Billy Raimondi, Oaks Catcher, No. 1, from the Oakland Baseball Players (Oaks) series (D317), issued by Sunbeam Bread and Remar Bread
Sunbeam Bread
1946–1950 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ed Kearse, Oaks Catcher, No. 7, from the Oakland Baseball Players (Oaks) series (D317), issued by Sunbeam Bread and Remar Bread
Sunbeam Bread
1946–1950 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George Kelly, Oaks Catcher, from the Oakland Baseball Players (Oaks) series (D317), issued by Sunbeam Bread and Remar Bread
Sunbeam Bread
1946–1950 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George Metkovich, from the Oakland Baseball Players (Oaks) series (D317), issued by Sunbeam Bread and Remar Bread
Sunbeam Bread
1946–1950 · Commercial color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.