Newmarket: A Shot at a Hawk
James Bretherton (d. 1799)
August 1, 1801 · Etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
455 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
559 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 621 matching records exist across the two collections.
Results for "Getting a Shot"12 records
Institutions answered newest-first by record, interleaved
Snaphance Pistol
Unrecorded maker
1600s · Arms and Armor, steel, ebony with silver inlay
Cleared · CC0
liveCleveland Museum of ArtSimilar
Newmarket: A Shot at a Pigeon
James Bretherton (d. 1799)
August 1, 1801 · Etching
Cleared · Public Domain
liveThe MetSimilar
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Shot bag (<i>Perdigonera</i>)
Unrecorded maker
ca. 1830–40 · Leather, iron, gold
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Random Shot
Sir Edwin Henry Landseer (d. 1873)
1851 · Mixed method engraving on chine collé; proof before letters
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Getting a Shot
Frederick Bromley (d. 1900)
1852–70 · Hand-colored etching and mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Getting a Hoist": A Bad Case of Heaves
Thomas B. Worth (d. 1917)
1875 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Line Shot -- The Aim
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Line Shot -- The Recoil
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Getting a Boost
Thomas B. Worth (d. 1917)
1882 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Swell Smoker -- Getting the Short End
John Cameron (d. 1896)
1888 · Lithograph with printed color and some hand-coloring
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night Shot 1
John Schabel (d. 9999)
2001 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.