
Gibbons in a Landscape
Sesson Shūkei 雪村周継 (d. 1589)
ca. 1570 · Pair of six-panel screens; ink on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1118 ms. The Metropolitan Museum of Art, Collection API (Open Access)
345 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 121 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Gibbons in a Landscape
Sesson Shūkei 雪村周継 (d. 1589)
ca. 1570 · Pair of six-panel screens; ink on paper
Cleared · Public Domain
live
Gibbons Reaching for the Moon
Kano Tan’yū (d. 1674)
1600s · Painting, Hanging scroll; ink and light color on silk
Cleared · CC0
live
Gibbon and Bamboo
Sesson Shūkei 雪村周継 (d. 1589)
16th century · Hanging scroll; ink on paper
Cleared · Public Domain
live
Hatsuito of the Yamashiroya Likened to Bush Clover, from Beauties of the Floating World Compared to Flowers
Suzuki Harunobu (d. 1770)
1769–70 · Print, color woodblock print
Cleared · CC0
liveCase (Inrō) with Design of Gibbon Reaching for Frog (Symbol of Moon) (obverse); Well with Bucket (reverse)
Unrecorded maker
18th century · Lacquer, roiro, gold, silver and brown hiramakie, takamakie, applied metal; Interior: nashiji and fundame
Cleared · Public Domain
live
Sword Guard (<i>Tsuba</i>) Depicting Two Gibbons (二疋手長猿図鐔)
Unrecorded maker
ca. 1615–1868 · Iron, gold-copper alloy (shakudō), copper, gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Photographs of the Moon
Austin Augustus Turner (d. 1866)
1863 · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Paper Moon Studio Portrait]
Unknown
1900s–1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Paper Moon Studio Portrait]
Unknown
1900s–1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Paper Moon Studio Portrait]
Unknown
1900s–1930s · Chromolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Paper Moon Studio Portrait]
Unknown
1900s–1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Paper Moon Studio Portrait]
Unknown
1900s–1930s · Chromolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.