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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    737 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    253 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 42 matching records exist across the two collections.

Results for "Gimmel ring (Twin ring)"12 records

Institutions answered newest-first by record, interleaved

Head of an "Ethiopian" depicted in Hellenistic mode by an unrecorded maker, The Metropolitan Museum of Art

Head of an "Ethiopian" depicted in Hellenistic mode

Unrecorded maker

332–30 BCE · Black bronze, gold, carnelian, obsidian

Cleared · Public Domain

live
The MetSimilar
Gimmel ring (Twin ring) by an unrecorded maker, The Metropolitan Museum of Art

Gimmel ring (Twin ring)

Unrecorded maker

second half 16th century · Gold, enamel, rubies, emerald

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, camwood powder, beads, metal, blueing

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, camwood powder, beads, metal, indigo

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, nails, camwood powder, brass, glass beads

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, beads, camwood powder

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, camwood powder, beads, brass, metal, indigo

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Agbonbiofe

19th–20th century · Wood, blueing, metal, beads

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Female (Ibeji)

Yoruba artist

19th–20th century · Wood, camwood powder

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Male (Ibeji)

Oyo-Yoruba artist

19th–20th century · Wood, beads, camwood powder, metal, indigo

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Male (Ibeji)

Yoruba artist

19th–20th century · Wood, beads, fiber, camwood powder

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twin Figure: Male (Ibeji)

Oyo-Yoruba artist

19th–20th century · Wood, camwood powder, blueing, beads, metal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.